HEIR ME OUT
Before absorbing, you are born into
something, all tied to the someone
You came out of, a
little umbilical noose
from the family tree.
Branches of relatives,
leaves of reference,
a tradition of breaking
tradition, lines
rules and record
scratchers.
The race to break
in, against
the pressure to make it
out, demands
break dancers.
Hips turned from
all form, the same
tables hip hop had
to turn,
and atop
those turn tables, two
vinyl clocks spinning
side by side, beside a
board of mixers
[not chasers or masters]
and a sloppy stack of
B-sides.
We throw hands
where the DJ decides,
hands that run fades
and clock clock faces.
Knuckles that knock
time out.
We, who
For
never
gives a groove,
For
ever
gets applause.
Any emcee can bend bars, but
sometimes it takes a beat
to break them. In rap, each take
breaks free
from style.
Look inside the whip
and it opens
butterfly or suicide.
The backlash is that
leaves drop
like hot tracks.
If you trapped
in this tradition,
you might not be
‘in it’
at all.